Be sure to concentrate on what’s being said as sub-titles are almost required but Jump is a worthwhile indulgence in this year’s inaugural British Film Festival. 3.5K
Category: Film
Oct 28
Sex Drive – Adelaide Film Festival – Palace Nova Cinemas
Let’s face it – love (and sex) pretty much makes the world go round. Sex Drive, a compilation of short films about all aspects of the most important topic, examines themes as diverse as the universe of a prostitute who wants to get out of the game and risks everything to start a normal life (portrayed in the …
Oct 11
AFF – Child’s Pose – 3.5K
Sep 26
OZASIA – The Lonely Wife (Charulata) – Satyajit Ray
What is generally regarded as acclaimed Indian director Satyajit Ray’s most accomplished film, the 1964 masterpiece, Charulata (The Lonely Wife) screened during the OzAsia Festival to a sizeable crowd. Rich, beautiful and lonely Charulata (Madhabi Mukherjee in the titular role) is sick of life in her gilded cage in turn-of-the-century 1900s Calcutta. Despite the adoration …
Sep 16
OzAsia- Film – Night of Silence (Lal Gece)
Nobody really likes the idea of a 50+ year old man marrying a girl barely into her teens as part of an arranged marriage, particularly against the background of recent – tragic – media attention relating to the terrible consequences of such an intergenerational relationship. Even worse is the concept of imagining the act of consummating such …
Sep 16
OzAsia – Film – Petal Dance (Japan)
What happens when somebody reaches out to you for help and you miss their cry? What consequences follow from your accidental failure? These are the questions posed in the South Australian premiere of Ishikawa Hiroshi’s ‘Petal Dance’, an evocative examination of the nature of grief, suicide, abandoned friendship and the rekindling of old connections. Haraki, …
Sep 12
FILM – Christmas Rose – OzAsia Premiere
Christmas Rose is the hotly anticipated directorial (and screenwriting) debut of popular Hong Kong actress Charlie Yeung, having its world premiere only a few months ago in May. Set almost exclusively inside a courtroom, this taut, clever legal thriller pits former hotshot defence lawyer turned highly moral prosecutor Tim (a dark and brooding Aaron Kwok) against …
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