RAW: This State’s Finances – The Real Rann Legacy = State Bank 2.0 – Part 2

RANNSACKED – THE FINANCIAL LEGACY OF MIKE RANN AND KEVIN FOLEY

[In this is the second of our three part Special Kryztoff Investigation into the condition of this State’s Finances in the wake of the Rann / Foley Years, we look at the real state of this State Debts.]

For Part 1 – see www.kryztoff.com/RAW/?p=4218

Debt Balloons

Perhaps we can’t believe this Government when it talks fiscal restraint when it comes to savings, so what about managing state debts and that thing the ‘non financial public sector net financial liabilities ratio’ that Owen and S&P referred to?

The net financial liabilities of the non-financial public sector are basically the net debts of the whole of the State Government, not just within Government departments but also government agencies (such as SA Water.)

The two biggest elements of these whole-of -government net financial liabilities (NFL) are the government’s own debt and the unfunded superannuation liabilities that have arisen from a disastrous superannuation scheme that benefitted public servants of days gone by.

When the Rann Government was elected, the State’s NFL stood at $9 billion with government debt at $3.3 billion and the unfunded super at $4 billion. In the eight years before, in which the Liberals held power, they had managed to reduce that government debt by over $8 billion after the State Bank debacle of the previous Labor Government.

As at June 2011, the NFL had increased to $18.3 billion, more than double the level at the time of this government took office. (On top of this, it is believed, is the unfunded portion of Workcover at a further $900 million which was basically zero when Labor came to power.)

Of this, the State debt has increased from $3.3 billion to now $6.9 billion and the unfunded superannuation has increased from $4 billion to $8.7 billion, that is, both have more than doubled.

But the reality is that the worst of this blowout has occurred with and since the Global Financial Crisis. At 30 June 2008, just as the crisis was taking hold and the losses were being incurred, NFL stood at $10.2 billion, with debt at $1.6 billion and unfunded super at $6.5 billion. That is, in the three years since, debt has ballooned by $5.2b (more than three times the pre-GFC level) and the unfunded super liability is up $2.3 billion (about 35%).

It is in this period that the government has lost complete control of its financial situation. In its first six years, the Rann government had racked up aggregate cash surpluses of $1.9 billion – funds that could be used to fund infrastructure and/or retire debt. However, in these past three years, it has recorded losses of all these gains and a further $1.8 billion, and still kept on a capital works program of $2 billion-plus per year.

So, as we sit now, the ratio of NFL to the whole of Government revenues is around 114%, up from 73% prior to the GFC, well outside S&P’s band of 80-90%, and with no prospect of getting back into that band in the immediate future.

To get back today to 90% (the upper end of the range), the Government needs to either reduce state debts or increase revenues (or some combination of both) by $3.8 billion. This gap rises to near on $4.4 billion in 2013/14 before, on the back of some suspect revenue numbers to $3.2 billion in 2015. Given the only revenue lever that is really at the Government’s disposal is state taxation, the current gap of $3.8 billion actually equates to an entire year’s revenue or 20% of all revenues.

Yep, the AAA rating can be kissed good bye and we now need to assess just how much a down grading of the State’s credit rating we will be facing.

How Did We Get Into This Mess?

But just how did the GFC affect the State Government’s finances so badly, given unemployment has remained relatively high, property prices have remained steady and the Federal Government kept up its supply of grant money? (Let’s not forget all that stimulus money that has built school halls and the like all came directly from the Federal Government and not the State.)

One benign explanation for the Government’s predicament is that the unfunded superannuation is calculated on assessment of total future cash payments discounted back to today by a risk-free discount rate. That means as this discount rate decreases, so the present value of the amount to be paid into the future increases. So, as interest rates came down in the wake of the GFC, so notionally this problem became worse. This is the basis that has kept S&P silent these past couple of years until now.

However, what is not so benign is the fact that the unfunded superannuation scheme lost around $2 billion during the two years of the GFC. Of this around $500m cannot be explained by movements in the markets. A review of the accounts of State Superannuation leads one to the belief that State Super invested in fairly exotic instruments that spread its performance risk to far flung parts of the world, adopting an investment strategy that appears somewhat aggressive for the nature of the fund.

Perhaps S&P should have undertaken rather more analysis earlier of the mess that is State Super since June 2009, instead of relying on State Government assurances about where those liabilities were heading.

The fact is now that due to the GFC and its own mismanagement, the Government must now pump in more money each year (around $400 million per year) to have any hope of meeting its goal of extinguishing these unfunded liabilities by 2034 (as it has and continues to promise.) This is because the structure of that fund is now such that average returns will only ever produce break-even results, and the required $16 billion in gross future payments have to come from general state revenues.

Given Treasury has been dictating investment strategy to all its investment agencies for the past few years (State Super, Motor Accident Commission etc.), no one other than the boffins who projected benign growth in revenues and expenditures in the Budgets is responsible for these losses.  Those boffins ought to be asked to explain just where the missing $500m has gone.

RAW: State Opera’s Carmen – 4.5K

By Julia Loipersberger

For an opera which resoundingly flopped on its opening night in March 1875 at the Parisian Opera Comique, Bizet’s Carmen has come a long way, particularly if the capacity crowd at the Adelaide Festival Theatre for the premiere of 2011’s production season is anything to go by.

The ubiquitous Spanish opera , composed by a Frenchman who never travelled to nearby Spain, is immensely popular largely for its almost Shakespearian themes of unrequited love, obsession, betrayal and ultimately death.

The absolutely divine and breathtakingly seductive Milijana Nikolic completely inhabited the role of the feisty but ultimately doomed Carmen, exhibiting a phenomenal dramatic ability to accompany her thrilling mezzo-soprano and – I must confess – almost making me rival Don Jose’s doomed love during the Habanera aria. Unfortunately Rosario La Spina’s Don Jose, while vocally powerful, failed to completely occupy the role of the charming lover and the infatuated and damned deserting soldier, particularly when contrasted with the absolute pomp and majesty of Simon Thorpe’s toreador Escamillo and the sweet devotion of the magical Antoinette Halloran as Micaela.

Accompanied by an exceptional supporting cast – extra plaudits for Byron Watson as Morales and Pelham Andrews as Zuniga – the austere and simple set design wonderfully complemented the beautiful costumery. I defy any member of the audience to deny having a sudden urge to travel to Seville during the procession at the beginning of Act IV.

As always, the Adelaide State Opera puts on a marvellous show, complete with a charming pre-performance synopsis by CEO and Artistic Director of the State Opera (and Chorus Master) Timothy Sexton, interval drinks and an opportunity to meet with the cast after the performance during a marvellous gala function.

‘Carmen’ is an almost unique production in that it would be equally suitable for operatic aficionados or complete newcomers, and the State Opera’s final production for 2011 was an almost perfectly successful incarnation of that marvellous opera. If those who love Carmen are enjoined to beware, then this reviewer must be very careful.

Brava.

Kryztoff Rating  4.5K

RAW: Restless Dance Theatre – Debut 3 – The Butterfly Effect

Three young, disabled dancers are directing short new dance works for Restless Dance Theatre.

Now in its third incarnation, Debut 3 will see three outstanding members of the company work as Directors to develop their own individual choreographic styles.

This season of work is united by the theme: ‘The Butterfly Effect’. Each of the dance works demonstrates how small changes in one part of a complex system can have a dramatic effect elsewhere.

Directors Andrew Pandos, Jianna Georgiou and Lorcan Hopper and will collaborate with experienced, professional mentors: Philip Channells, Tim Rodgers and Larissa McGowan.

These new short works are a chance for the three directors, all emerging disabled artists, to explore their own ideas and gain experience whilst having the guidance and direct feedback from their mentors.

Director Lorcan Hopper notes “[Debut 3 has helped me] learn to put myself out there and take risks, and to challenge myself.” Debut 3 is a fantastic opportunity for professional development, marking a significant milestone in these three exciting emerging artist’s careers.

The casts of each work will be made up of dancers from Restless Dance Theatre’s Youth Ensemble and Restless Central community workshop program, all aged between 15-26, and dancers in their first year at Adelaide College of the Arts.

Restless Dance Theatre is Australia’s leading dance company that integrates disabled and non-disabled artists to create dance theatre and dance education programs.

Debut 3 will be presented at the Restless Studio, 234a Sturt St. Adelaide at 7.30pm on Friday 11th November and 3pm & 7.30pm on 12th November 2011. Tickets are $10 and $5 concession.

The performance on Friday 11th November will be audio described for vision impaired audience members and Auslan interpreted.

For bookings, telephone Restless Dance Theatre on 8212 8495 or email bookings@restlessdance.org for a booking form.

RAW: Perfect Symphony To Celebrate ASO’s 75th Year

“2011 marks a golden time for the Adelaide Symphony Orchestra. 75 years of music-making, for any orchestra, evokes a sense of pride and achievement,” Arvo Volmer.

The ASO will celebrate 75 great years of music-making with a special Anniversary Gala Concert on Friday 25 and Saturday 26 November at the Adelaide Festival Theatre.

In a night to remember, the story of the ASO will be brought to life through music, narrative and video as ABC Classic FM presenter Damien Beaumont, takes the audience on a journey through the years.
ASO Chief Conductor and Music Director, Arvo Volmer will lead the Orchestra in a night of iconic works and orchestral highlights including music by Strauss, Mozart, Haydn and Berlioz. There is also the rare opportunity for Adelaide audiences to hear the piece written for the city’s centenary in 1936 by Miriam Hyde, An Adelaide Overture.

In the second half of the concert, Volmer presents his handpicked ‘Perfect Symphony’ — four movements from some of the greatest symphonies in the repertoire:
– Beethoven Symphony No 5 (1st mvt)
– Dvořák Symphony No 9 (2nd mvt)
– Shostakovich Symphony No 9 (3rd mvt)
– Tchaikovsky Symphony No 5 (finale)

“It’s an opportunity for me to find my symphonic nirvana! We journey through some of the greatest orchestral music ever composed; the revolutionary world of Beethoven’s Fifth, the beauty and nostalgia of Dvořák’s New World Symphony, laconic Shostakovich, and to end, drama and orchestral fireworks in Tchaikovsky’s mighty Fifth. It will be a roller coaster ride!” said Volmer.

The concert also features a spectacular line-up of ASO musicians as soloists. Concertmaster, Natsuko Yoshimoto, and Principal Viola, Juris Ezergailis, will perform the finale of Mozart’s Sinfonia Concertante for violin & viola. Recently appointed Principal Trumpet, Matt Dempsey, plays the last movement of Haydn’s Trumpet Concerto as he makes his debut solo performance with the ASO.

Don’t miss this special birthday celebration as the Adelaide Symphony Orchestra celebrates 75 years of great music making.

RAW: Win Trip to New York With Future Music

Thanks to the Future Music Festival: win a trip for two to New York to see Swedish House Mafia perform at their ‘Sold Out’ Madison Square Gardens concert!

It’s our most mind blowing thank-you ever!

To celebrate Swedish House Mafia’s headline performances at the 2012 Future Music Festival (the most anticipated live debut in the festival’s history!) Future Entertainment will be flying two lucky winners to New York to see the Swedish superstars perform at Madison Square Gardens.

Solidifying their A-List credentials, the DJ collective of Axwell, Steve Angello and Sebastian Ingrosso will be following in the footsteps of U2, Jay-Z and Rihanna as they headline one of the world’s most iconic venues in a show that sold out in 10 minutes flat. It’s only right that one of Australia’s most iconic music festivals is offering this once-in-a-lifetime chance to exclusively preview Swedish House Mafia before they wow crowds Down Under.

To win a trip for two to New York – including flights, four nights accommodation at the ultra chic Gansevoort Park Avenue hotel, and two tickets to the show of your life – just enter the draw at www.futuremusicfestival.com.au and provide a valid Future Music Festival 2012 Ticketmaster ticket number (better be quick!), your name and a contact number. And you can increase your chances of winning by telling a friend, and hope that they pick you for their plus-one!

Future Music Festival is one of the biggest music events in the country, consistently delivering the hottest acts of the moment while showcasing the brightest stars of the future and providing a genuinely world-class festival experience. This award-winning party prides itself on its quality and variety, and Future Music Festival 2012 duly has something for everyone on its glittering line-up, including Fatboy Slim, Tinie Tempah, Jessie J, Chase & Status, Aphex Twin, The Wombats – and more!

Melding commercial success with critical acclaim, Swedish House Mafia have had massive worldwide chart hits – most recently with Save the World, sold out an entire UK tour in just minutes, had major European residencies, and collaborated with Pharrell Williams and Tinie Tempah on already iconic tracks like One and Miami 2 Ibiza.

They owned the European Summer and look set to do the same in Australia for their Future Music Festival tour, but not before taking over NYC first! Don’t miss out on the line-up of the year – get your Future Music Festival 2012 ticket before they sell out, then enter the draw to see the Swedes take the stage while you and a mate take a bite out of the Big Apple.

To enter, purchase a Future Music Festival ticket and sign up by December 1st, 2011. www.futuremusicfestival.com.au *Terms and conditions apply.

FUTURE MUSIC FESTIVAL ARTIST LINEUP

SWEDISH HOUSE MAFIA (SWE)

FATBOY SLIM (UK)

PAUL van DYK (GER)

TINIE TEMPAH (UK)

THE WOMBATS (UK/NOR)

CHASE & STATUS – LIVE (UK)

SKRILLEX (US)

JESSIE J (UK)

THE RAPTURE (US)

SVEN VATH (GER)

DIE ANTWOORD (SA)

APHEX TWIN – LIVE (IRE)

THE NAKED AND FAMOUS (NZ)

GARETH EMERY (UK)

JAMIE JONES (UK)

JAMES MURPHY & PAT MAHONEY (LCD SOUNDSYSTEM/ DFA) (US)

HERCULES & LOVE AFFAIR (US)

AZARI & III (CAN)

FRANK OCEAN (US)

ALEX METRIC (UK)

HOLY GHOST! (US)

JUAN MACLEAN (UK)

BENOIT & SERGIO (GER)
HORSE MEAT DISCO (UK)

STAFFORD BROTHERS (AUS)

PLUS MANY MORE!

RAW: MacPherson Spells Out Constitutional Crisis From Burnside Report

South Australians need to thank former Auditor General, Ken MacPherson for his 90 minutes of evidence yesterday to the Special Inquiry into his draft report relating to the operations of the Burnside Council. This is even though what he said disappointed those aggrieved by the whole affair due, in no small part, to the severe constraints placed upon him by the nature of the Supreme Court’s suppression orders in May that ran to commentary on its contents as well as the actual content of the draft.

Beyond the glib headlines, here is what MacPherson brought into plain view as the key issue.

Elected officials have constitutional and legal duties to act honestly and in the public interest. The investigation established by this Government and conducted by MacPherson was about precisely these matters as they related to the operation of the Burnside Council.

However, once the draft contained outcomes and conclusions that this Government did not like, it has tried to ensure the report never gets completed.

But they too, that is the members of the Labor Government, not just the revolving door of Ministers for Local Government who are handling this matter, have that same obligation to act honestly and in the public interest.

MacPherson was very clear on this and used the words of the Chief Justice of SA Supreme Court as support that the completion of this report is also in the public interest.

The problem is that the law under which this inquiry is being undertaken is deficient to deal with the rightful legal challenges and other tactics that those who have most to fear from its outcomes can use to thwart that report being finalised.

To cut through this, the Government needs to amend the relevant Local Government Act to give MacPherson the same powers to compel sworn answers to questions put and provide documents as a court, a Royal Commission or even just the Public Finance and Audit Committee of the SA parliament.

If it doesn’t do that, then one has to question whether it is indeed acting in the public interest, an obligation placed upon it by the constitution, convention and common law, for, to quote MacPherson, to continue with the process of completing this report as the law currently stands would be ‘a complete waste of time.’

If Jay Weatherill is serious about his ICAC proposal, that is, he recognises that corruption in the public sector is something which any Government ought to have properly resourced and empowered people and processes in place to investigate and prosecute, then making the changes now to the Local Government Act requested by MacPherson are a no brainer. Doing so would enable this enquiry to be concluded, according to MacPherson, within four months and for around $400,000.

Two problems.

The first is there is little sign this Government interprets acting in the public interest in this way, even now with Rann gone. Minister Wortley and the Attorney General Rau have engaged in some months of spin to attempt to placate the public’s fears and concerns, hoping the matter would simply die. The outcomes are ‘trivial’ according to Wortley while also saying he hasn’t read the report. MacPherson now says that is rubbish.

Copies have been circulated to the Police Commissioner and the Crown Solicitor’s office by Wortley to give an appearance of action. But MacPherson says this should not have happened given there is a suppression on the dissemination and publication of the report and also the report has not yet been finished so there is nothing in it that the police or the crown solicitor can much do with it.

Rau has proposed a number of amendments to the Local Government Act that too give the appearance of dealing with the matter to ensure it never happens again – councils could investigate their own activities and the like – but nowhere in these statements are the necessary powers that MacPherson speaks of to ensure a legal circus of suppression requests and denials of natural justice applications and obfuscation of process doesn’t recur.

Very clearly this government fears the contents of the MacPherson Report ever being made public. Given Minister Wortley’s response to MacPherson’s evidence last night, it seems certain (without a lot of additional pressure – see further below) the Weatherill Government will shelve doing anything more on the Burnside Council inquiry now in the name of letting its ICAC look at it.

But under that scenario, as the ICAC will operate in secret and who knows whether it will be empowered to investigate matters retrospectively, it may well be that the public will never know exactly what went on amongst its publicly elected officials in the Burnside Council. This would appear to be just as the Labor Government and its mates would desire.

Which leads to the second problem.

Who can take legal action to enforce the Government act in the public interest, in this case legislate as demanded by MacPherson to enable the report to be completed early next year? The answer is no one. (As example, who can take action to test whether Wortley was in contravention of the Supreme Court’s suppression order? On this, incredibly, Daniel Wills in The Advertiser this morning was able to reveal the Police Commissioner had returned the report unopened having received advice along these lines. How remarkably coincidental.)

Probably the only organisation in the State that can make the Government do the right thing is indeed The Advertiser by fermenting public opinion against the Government on the topic. (It would be nice to think the Liberal Party would be useful on this issue but it is in fact only diminutive independent Legislative Councillor Ann Bressington who has been doing the right thing by the public to date for she is the one who got this special inquiry (that MacPherson gave evidence to yesterday) going. Compare the Liberal Party’s current performance with that of Rann with the Motorola affair 10 years ago that drove Premier John Olsen from office and set about Labor’s unlikely election win six months later.)

On that front, despite that organ being very squarely in the Government’s court on so many matters, some glimmer of hope when in this morning’s Advertiser editorial, the following appeared ‘The onus now would appear to be on the Government, which would appear should be doing everything in its power to find a way through this legal maze in order to allow the public finally to see what might have occurred in Burnside that prompted the inquiry in the first place.’

Time will tell whether it promotes this matter to the front pages and upgrades ‘appears’ to ‘demands’ or whether it will let that one grand gesture of Wortley’s to let his Government’s ICAC take it from here, equate it to acting in the public interest.

If The Advertiser does that it will ensure the public never knows the outcomes of MacPherson’s work and the potential of his report to expose the tip of the corrupting networks that now play their games in this State as they wish. If however it stands firm and demands accountability now, the history of this State may well start early next year with new and explosive chapters.

So, while all manner of politicians, their lackeys and a bevy of players are getting hot under the collar and stressed, the future of this may rest solely neither in the parliament nor the Supreme Court nor with a retired Auditor General (where of course it ought to) but in the discretion of Rupert Murdoch’s local editor, Melvin Mansell.

That is no way to deal with a constitutional crisis but for the moment all one can proffer is ‘Over to you Mel.’

For more comment on this issue visit ICAC SA

RAW: This State’s Finances – The Real Rann Legacy = State Bank 2.0 – Part 1

RANNSACKED – THE FINANCIAL LEGACY OF MIKE RANN AND KEVIN FOLEY

[This is the first of three part Special Kryztoff Investigation into the condition of this State’s Finances in the wake of the Rann / Foley Years.]

Finally the realities of this State’s financial position are being revealed, due in no small part to the mismanagement of our unfunded superannuation liabilities (as discussed previously at www.kryztoff.com/RAW/?p=3174 .)

On Friday, September 23, rating agency Standard & Poors placed the state on a negative financial outlook. As reported in The Weekend Australian (24/9/11) by Michael Owen, S&P are reviewing the state’s AAA rating because we are exceeding our non-financial public sector net financial liabilities ratio, which was set at 80-90 per cent of operating revenues.

Owen went on to write ‘The [S&P spokesperson] said that during the past three state Budgets the agency had assumed the rise in the ratio was temporary and reflected changes to the discount rate. “We note that the breach is appearing more permanent and its decline back into the (set) range in 2015 is dependent on the delivery of the ambitious savings measures.”’

So how did we get to this position?

Let’s start at the end of the above statements and work back.

Smoke and Mirror Budget Projections

A review of the State Government’s budget papers since the Rann election in 2002 reveals a systemic habit of presenting a face of fiscal rectitude, responsibility and prudence about the future that history shows never comes to pass.

In his first budget in 2002, Treasurer Kevin Foley provided four year estimates that projected increases in revenue and expenses of about 9% but at the end of those four years delivered actual increases of 45%.

A new Government’s exuberance?

Well no, because in 2006, he again projected moderate increases for the four years to 2010 of about 8% for revenues and 12% for expenses but come 2010, the actual increases were 38% for revenues and 50% for expenditures.

Either Treasury, (the organistion that puts the budget numbers together) is hopelessly incompetent or this was deliberate government strategy. Either way, with journalists merely focusing on the future, this explosion in the size of the government’s operations has never been much noticed, at least not until now.

In total, over the eight years to 2010, state revenue actually grew by 56% and expenditures by 63% when the overall impact of inflation and population growth would have it at 40%.

Given Federal Grant money has matched that inflation and population growth figure (and this government has not indulged (at least until now) in the privatisation or selloff of government owned assets), the biggest percentage increases in state revenues have come from general taxation. Of that, the component with the biggest increase has been property taxes which have more than doubled since Rann and Foley came to power. They are now at more than $1.5b a year, projected to increase to over $2 billion by 2015.

The New Savings Paradigm

As for new Treasurer Jack Snelling’s savings measures, you be the judge of whether they will ever come to be. Mr. Snelling projects increases in revenue of 8.3% over the next four years  but an actual reduction of expenditure of 1% over that timeframe. Please note that inflation and population growth would suggest 15% increases are necessary for the state government’s operations just to mark time.

The biggest percentage increase in revenues will again come from general taxation, which he is looking to lift by a further 28%, with property taxes up a further 43% and payroll taxes by 40% -, somewhat unlikely in an environment of stalling employment growth and given that in the eight years to 2010, payroll taxes in this state increased by only 52%.

Having grown the size of the public service by 25% since the Labor Party came to power, about double what may be considered necessary based on our population growth (that excess employment now costing the state about $600m per year), Snelling now projects a reduction of 1,400 Full Time Equivalent public service positions in the four years to 2015 (or less than 2%).

With the Public Sector Unions already in uproar with public sector employment actually still rising, just imagine the furore if Snelling, Weatherill and mates attempt to actually implement this. Let’s not forget at the last Labor State Conference these unions called for Rann and Foley to go. Guess what? As demanded, a year on they are both gone.

Across the whole government sector, the size of the Budget has nearly doubled since Rann came to power (expenditures up from $9.7b to $19.0b this year). The previous doubling (of just $4.7b) took some 16 years.

Part 2 to follow Wednesday, 2nd November.

Anyone wishing to site evidence from Budget papers and related calculations, please contact editor@kryztoff.com.

RAW: John Waters – Her Majesty’s – 4K

The ‘Pope of Trash’, John Waters walked onto the stage at Her Majesty’s last night dressed in grey slacks, goldish satin jacket, a red tie and sneakers. His stage featured just a large vase of red roses on one side and a small table with water on the other.

Given the bizarre nature of his films, his audience (apart from an impressive Divine impersonator) was remarkably homogeneous – middle aged, middle class lovers of fun with a slightly weird twist.

The Waters show was simply a stand up comedy act. After a jittery start Waters got into stride and his stories about his films were both very funny and illuminating. From pigs to bears to the battles with censors, on it went at rat-a-tat pace. His Q&A perhaps gave the best insights into the man – there was nothing funny much, he thought, about Sarah Palin but watching people get off planes was a source of constant amusement. There are no taboos left, at least not worth taking on, perhaps having Divine play Jackie Kennedy in a parody of his assassination only two years after the events was a mistake.

To summarise the man try this. ‘There are no good radicals today. The best of them sit at their computers working out how to hack American Express. But there is no fashion involved. You can’t have a movement without fashion. Look at these guys and the only fashion is maybe bad posture.’

It is hard to properly categorise Waters. The best I can do (and at severe risk of a defamation law suit or action under the Racial Discrimination Act for causing offence) is to compare him to our own Barry Humphries – whereas Barry’s twist is cross dressing, for Waters its being gay.

But both are of about the same age (Waters is 65) and both relish the oddities of very normal suburban lives; Humphries in Melbourne and Waters in Baltimore. Both come from very straight laced middle class families and upbringings that showed to each (and in abundance) the absurdities of those worlds – when fashion becomes kitsch (but the wearers don’t notice it), when filth is actually funny and while the jocks peak at 20, the artists are just starting to warm up.

Their targets are the sensibilities of ‘decent’ society and the wardens whose jobs are to protect those mores from attack. But as his dress choice showed, on the face of it he is no radical, he needs no props to be bizarre for this is an intellectual game rooted in observation and not affectation.

Both also have an enduring love of their audience and perhaps in Waters’ case some residual shock that his take on the world has been so remarkably successful and ground breaking.

Waters also has sought to champion the down trodden and rejected; his long association with Divine being evidence of that. Smoking pot may have helped get the films done but at the end of it all the joke was on those who didn’t get it and, together with those who did, they loved it.

Like Humphries, Waters is a treasure and any lover of midnight / off the wall cinema of whatever age ought to take him in. It was a pity so few current students were in attendance, no doubt wholly influenced by the ticket price (at $75) but perhaps on his next visit, Waters could manage some deep concessions for them – it can’t be all about the money still – for the next generation who see the mainstream Hairspray the Musical may also wish to delve back to when this stuff was, well, frankly, disgusting.

Great show and great fun.

RAW: Soundwave 2012 – Second Announcement

Bad Religion Now Also Coming To Soundwave 2012

Friends, Rockers, Countrymen!

Lend us your ears and we’ll subject them to loud rock music.

Tighten your togas, strap on the dancing sandals and join us in this Roman edition of Soundwave; featuring our biggest line-up yet!

Joining the already gargantuan 2012 lineup is:

BAD RELIGION

STRUNG OUT

STAIND


WEDNESDAY 13

UNEARTH

THE PRETTY RECKLESS

CATHEDRAL


SHADOWS FALL

TONIGHT ALIVE

MOTIONLESS IN WHITE

BREAK EVEN

HEAVEN SHALL BURN

YOUR DEMISE

A ROCKET TO THE MOON

THE READY SET

THE MENZINGERS

DREAM ON, DREAMER

KITTIE

DREDG

ATTACK! ATTACK!

THE SMOKING HEARTS

THE SUMMER SET

SYSTEM OF A DOWN

SLIPKNOT

LIMP BIZKIT / MARILYN MANSON / HOLE / A DAY TO REMEMBER / MACHINE HEAD / LAMB OF GOD / TRIVIUM / ALTER BRIDGE / LOSTPROPHETS / ANGELS & AIRWAVES / COBRA STARSHIP / THE USED / YOU ME AT SIX / DEVIN TOWNSEND PROJECT / UNWRITTEN LAW / COAL CHAMBER / DASHBOARD CONFESSIONAL / THURSDAY / FOREVER THE SICKEST KIDS / RAISED FIST / DILLINGER ESCAPE PLAN

ZAKK WYLDE’S BLACK LABEL SOCIETY / MASTODON / UNDEROATH / SAVES THE DAY / CIRCA SURVIVE / STEEL PANTHER / JACK’S MANNEQUIN / MESHUGGAH / THE SISTERS OF MERCY / ENTER SHIKARI / FOUR YEAR STRONG / BLACK VEIL BRIDES / MADINA LAKE / ZEBRAHEAD / HATEBREED / BIOHAZARD / TIMES OF GRACE / CKY / STREET DOGS / DRAGONFORCE / GOJIRA / KVELERTAK / LETLIVE / HELLYEAH / CRO-MAGS / THE CAB / RELIENT K / VERSA EMERGE / HEROES FOR HIRE / KILL HANNAH / THE DANGEROUS SUMMER / CHIMAIRA / FRAMING HANLEY / WATAIN / ROYAL REPUBLIC / I AM THE AVALANCHE / TURISAS / RIVER CITY EXTENSION

SOUNDWAVE FESTIVAL VENUES AND DATES

SATURDAY 3                       ADELAIDE, BONYTHON PARK

General Public tickets on sale Thursday 20 October through www.soundwavefestival.com www.oztix.com.au & Oztix outlets & www.ticketek.com.au 132 849

RAW: Earth Beneath Our Feet – Preview – 5th Nov

EARTH BENEATH OUR FEET

12pm to 10pm November 5th

Carclew Youth Arts Centre – 11 Jeffcott St, North Adelaide

FREE EVENT

Based around a celebration of filmmaker Nic Ansell’s masterpiece of cinematography documenting our country and our planet. A film which has been a year and a half in the making. The film shall be shown through several projectors on various surfaces. One will be rigged in a tree above a sand pit that will form a living sand screen. There will also be a screen  rigged across the middle of a geo-dome with a rear projection of Earth Beneath Our Feet looping throughout the day.

Earth Beneath Our Feet is the fourth film of a five part interactive series. This interactive film series is revolutionising the process in which films are being created by using real time footage of a theme screened to an audience who will create the script/dialog.

This festival aims to enable passers by to become participants by interacting with artistic work where talented local Adelaide musicians, painters, roaming performers and visual artists collaborate.

Earth Beneath Our Feet welcomes the community of Adelaide to participate in this interactive festival with an aim to inspire to encourage an open awareness about the impact of the human footprint on the environment. Your participation in interactive film screening’s makes this FREE event come alive! Come along, bring your friends and discover your own hands on creation around conceptual artistic practices.

Moving Images

Live Bands

Art

GAIA Bar

Fire Performers

Market Stalls

Plant Swap

Workshops

full details can be found here:

www.adelaideartscult.weebly.com

http://www.facebook.com/event.php?eid=213557945376439

BAND LINE UP

12.30 – 1.15 The Search Party

1.30 – 2.15 Techno Prisoners

2.30 – 3.15 Menagerie http://www.facebook.com/Menageri

3.30 – 4.15 Shipwrecked in the Desert

4.30 – 5.15 Wizards From Space

(45 mins to keep up our sleeves inserted here)

6.00 – 6.45 Drumming Circle

7.00 – 8.00 DJ Zeropoint http://www.djzeropoint.blogspot.com/

(Darren is will be creating an audio/visual show based on environmental awareness and expanding consioussness)

8.10 – 9.00  DJ DKMN www.soundcloud.com/dkmn

9.10 – 9.50 Kendall Francis www.soundcloud.com/kendallfrancis (To play the night out with audio/visual show)