After fulsomely praising the merits of the second in this year’s series of In Conservation With, hosted by the ABC’s Fenella Kernebone (Link to article here), my expectations of enthralling debate about the role of indigenous art were high. The panel for last night’s discussion, comprised of indigenous experts from the visual arts (Nici Cumpston – AGSA), theatre (Wesley Enoch – Queensland Theatre Company), music (Lou Bennett – Black Arm Band) and community involvement (Lee-Ann Buckskin – Carclew), also gave cause for optimism.
Sadly, it all got off to a very bad start and never recovered.
In response to Kernebone’s opener about the topic, Bennett insisted that we all needed to first contemplate and debate just exactly what is meant by ‘indigenous’, ‘art’ and ‘contemporary’ society. Two minutes later one punter in the audience got up and left, perhaps sensing what the next 90 minutes was then likely to bring. I just wish he had let us in on his hunch with a cry at the door of ‘oh no, what a waste of time this is going to be now’ or similar as he left for then we would all have been forewarned.
So instead of the advertised discussion about ‘the significance of indigenous art in contemporary society’ we got polemics and politics around the topic ‘contemporary indigenous art – discuss.’
Even though Kernebone tried to ignore Bennett’s opening distraction, the die was cast and soon she too was lapping up this Radio National type gab fest.
So to be clear, what did this audience member think the topic was going to lead to discussions about? Well, things like, is indigenous art about talking to indigenous people or is it about explaining and teaching their culture to other (non-indigenous) Australians or is about helping to break down racism or racial stereotypes in this country towards and about aborigines or is about building up the brand ‘indigenous art/music/…’ so others to come can advance the cause in time or should indigenous artists make their way by adopting to the white, mainstream or on their own cultural terms? Or is it about other things, but whatever they may be, how are we going in those causes, who are the role models and what’s next?
Instead we got snippets about some of the individuals on the panel’s personal triumphs and some of their activities, without being told whether they were a good thing (as part of the significance of indigenous art in contemporary society) or just a Government sponsored program (that it seemed some on the panel thought were all a bit misguided, especially when it came to health.) While Clifford Possum’s ability to bring $1m for one of his paintings was, you know, something we don’t want to talk about, the glittering triumph in the entire history of all indigenous culture it seemed for the panel was Cathy Freeman winning Gold at the Sydney Olympics.
On top we got some motherhood stuff about how what young aboriginals ought to strive for is being ‘allowed to dream to be what they want to be’, like they are the only people on the planet for whom this idea resonates. And then ‘although we (the panellists) have become quite successful, there remain a lot of indigenous people who are very disadvantaged.’ No kidding, but pray tell, how in modern Australia doesn’t this statement apply to a very large group of people, not just indigenous people and hence why this topic may be important to dealing with that issue.
It was clear from some of the questions asked that many in the audience were also peeved about the way this discussion went and while some will no doubt have left with a warm inner glow – the sing-along at the conclusion of proceedings may have aided that euphoria – I defy them to define exactly in 25 words or less what they actually gained from the evening. I can in one – nothing.
As Noel Pearson has often commented, indigenous spokespeople need to move on from playing on white man’s guilt and engage with mainstream society on making the world better for Australia’s indigenous in practical ways. Well, here for four indigenous spokespeople (and Fenella ‘I was there’ Kernebone) was a rare 90 minute opportunity before an (almost all white) audience of about 100 who had made the effort to come to The Space on a cold July night to listen and hopefully learn to explain ‘the significance of indigenous art in contemporary society’.
Sorry, panel, this was an opportunity you botched.
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