Posted by Peter in Cabaret
The musical business is a cut throat world but Benj Pasek and Justin Paul appear destined to be the next big things to hit the genre. Having absorbed the New York style, from Bernstein to Sondheim, these two young performers are now racking up the successes and gathering the new generation’s acclaim along the way.
This show was pure New York entertainment (that is after all their home town), both effervescent with an almost school boy like enthusiasm that quickly infected the crowd. Many in the premium seats were much less aware of them and their wares to date than those with the concession passes but for them, these two guys are where it is at.
The show benefitted greatly from two guest appearances – the first, with encore by Shoshana Bean and the second by Liz Callaway, both singing Pasek and Paul songs from past and future musicals. They (with their song sheets and use of a music stand) and the P & P banter (where both seemed comfortable talking over the other) were able to create an informality and warmth to the show, though there was no doubting this was all well rehearsed and supremely well executed.
This show was a joy and one of the highlights of the entire Festival.
Kryztoff Rating 4.5K
Posted by MiriamK in Cabaret
Floozy June (Charlotte Mudge), love-cynic Jean (Bronwyn Gell) and desperate-housewife Joan (Rachael Kirkham) Geiger, are three sisters who, ably supported by their ever-enthusiastic (and possibly intoxicated) cousin Gertie (Carol Young), present an evening radio show in the years following WWII. As the studio audience, we get to see what goes on, both on and off air, the night the radio station is sold and the girl’s careers are on the line.
The key element to the radio show is music and, accompanied by Gertie, the sisters sing about life, love and their world. All four performers have strong voices and while combining on several songs to create attractive harmonies, accurately reminiscent of the time, they are also given the opportunity to shine individually with feature numbers. In addition, the physical action, which could easily be left by the wayside in a radio based piece, provides much amusement and showcases the performers’ talents.
The overarching structure of the show works well; enabling both a continuing plotline to run throughout while also providing opportunities for amusing individual sketches. The Life and Times of Fanny Mac is one such piece; a radio play, complete with coconut horse hooves and some truly hilarious one-liners. Other highlights include the various advertisements smattered throughout, particularly those for the major sponsor, Dr Cardwell’s All Purpose Elixir, and that beloved Aussie icon, the Hills Hoist.
This is a well constructed and polished piece of entertainment, with comedy and musicality in equal measures, and fine performances all round.
Kryztoff Rating 4K
Posted by Peter in RAW: Film
Reviewer – Lucy Campbell
It isn’t very often that Chinese cinema reaches our shores. The 1990s decline in the Hong Kong industry has never seen it truly recover, and it’s unlikely that Pang Ho-Cheung’s ‘Love in a Puff’ will do much to resurrect it.
The premise itself is an interesting one, if a little thin: workers ostracised due to smoking laws huddle in designated smoking zones, swapping jokes, stories and little bits of their lives. Two of these smokers, Cherie (Miriam Cheung) and Jimmy (Shawn Yue) strike up a relationship. That really is the entire storyline; the rest of the film is a compilation of long conversations and stories and snippets of the first seven days of their relationship. The truthfulness of the unwritten modern dating rules is key: the muddled texting, Facebook editing, swapping phone plans and the awkward and uneasy conversations. But somehow, Love in a Puff seems lost in translation and the nuances of their conversations are forgotten in the cultural wash.
However gentle and charming ‘Love in a Puff’ may be, it still is pretty uninteresting when all is said and done. Points are laboured and the characters are sketches. It seems like a Chinese attempt at French-style cinema, but lacking the intricacies of the latter it loses interest mid-way. ‘Love in a Puff’ is awkward, a mish-mash of borrowings from other films and although there is an element of modern Chinese culture that is revelatory, as a film rather than a cultural essay ‘Love in a Puff’ proves to be a work in progress.
Kryztof rating 3K