Archive for July 22, 2010
RAW: Superheroes – Space Theatre, until July 24
Jul 22nd
A group of people sit. Each is unique but all share in a sense of exhaustion. The glare of fluorescent lights overhead creates the appropriate institutionalised atmosphere. This is a “rest home” and an air of boredom abounds. For the next hour, the beliefs, experiences and ideals of the motley bunch of characters are explored, with themes of war, faith, and destiny rising to the surface.
Stone/Castro has produced a piece which uses theatre, dance and visual imagery to create a world of desolation and confusion, with a flicker of hope thrown in for good measure. Though, at times, the tangled nature of the piece can be a little trying, there are several affecting montages and some engaging dialogue.
The quality of the performances varied; both across the cast and within individual characterisations. As the returned soldier haunted by his past and desperate for a different future, Nick Bennett gave a strong central performance, though could have given more fire to the part, particularly in the flashes of anger and desperation.
Lewis Rankin’s portrayal of the young man who finds himself caught up in this surreal world and risks allowing the residents’ nightmares to become his own, is also commendable; with particularly impressive control shown during his featured dance piece.
Though probably not appealing to those who prefer their theatre more straight forward and plot driven, this show incorporates both powerful and humorous imagery and presents many ideas worthy of consideration and rumination.
Kryztoff Rating 3K
RAW: Greenberg – Film – 3.5K
Jul 22nd
Reviewed by Lucy Campbell
Greenberg is the story of 40 year old Roger Greenberg (Ben Stiller) and his return to his native LA after a nervous breakdown and mental hospital stay. Writer/director Noah Baumbuch’s film charts his relationships with old friend and ex bandmate Ivan (Rhys Ifans), ex lover Beth (Jennifer Jason Leigh) and affair with his brother’s personal assistant, Florence (Greta Gerwig).
At it’s core Greenberg defies the conventions of plot, instead focusing on the intricacies of relationships and the title character’s manic depression, which a brave Stiller plays without the comic stylings that we’re so accustomed. It’s Stiller’s film and he plays the role to a tee: the detachment from his surroundings, OCD behaviour, alienation and complete self-obsession. Unfortunately, all these things mean his character is ultimately pretty unlovable, and his fractured character gradually becomes whining and so downright rude, you question why anybody bothers to hang out with him.
But this is a film of a man railing against the world, against LA, against his desires and against himself. Stiller’s self-destructive Greenberg feels real, as does the loose ends of Gerwig’s Florence. Everybody in this film runs in circles, and by the end one feels thoroughly exhausted though not entirely confident anyone will break the cycle. There are the occasional muted chuckles, but it isn’t by any stretch a ‘Ben Stiller Film’ – more of an awkward insight into emotional freefall and neurosis as we slowly watch Greenberg self-destruct and then attempt to pick up the pieces. Though by no means a bad film, Greenberg still leaves you a little empty as the credits roll.
Kryztoff Rating 3.5K